Twitter

July 25, 2008 • No Comments

So Eric really believes in this. I tried it a while back and emailed it to all my friends and NO ONE followed me…

So here it is for you all. Hope Eric is right….

http://twitter.com/jodisc

Rocky the Rooster

July 24, 2008 • No Comments

My wonderful intern Kate as Rocky the Rooster. Preparation for our camp sharing tomorrow.

IMG00038 779790 Rocky the Rooster

A must read!

July 23, 2008 • No Comments

Wonderful insight from our intern Holly…


What do the artists of theatre do for us?

Theatre Artists do us a tremendous favor.  


They bare their souls in telling a story inspiring us to speak or be safe in silence.  

They create a world on stage where they often titter on the brink of destruction or utter happiness. We can experience being on the edge through them, but we don’t have to actually do it to understand it and learn from it. 

They state the unthinkable.  They do the unforgivable.  They act in weakness.  They are trapped in fear and do nothing.

They state what must be said.  They act heroically.  They take risks. 

They make us laugh. They make us cry.  Sometimes they make us do both at the same time.

They teach us about our neighbors, people of distants lands, people from the past, and people from the future.

They make us lean forward in our seats, holding our breathe, waiting for the next word, moment or action.  They make us feel alive.  

And all we have to do is show up.

Measuring Impact???

July 21, 2008 • 3 Comments

In July 2008 I particpated in the Harvard Business School’s Social Enterprises Executive Education program Strategic Perspectives for Nonprofit Managers (SPNM). It was one of the best and most transforming weeks of my life.

Here are all of the links and topics for posts from SPNM:
Overview
Inspiration
Capacity
Leadership
Scale
Strategic Service Vision
Mission and Strategic Triangle – Legitamacy & Support / Organization / Mission
Value Chain
Market Research
Measuring Impact

How do you define the impact of theatre? It seems easy to quantify the work of other non-profits. But what about the arts?

In nonprofits we a talk a lot about assessment and measurement. “You need to do an assessment of your thinking before you invest!”

In business you need to be ahead of the curve. You need to manage situations – be in a constant state of awareness, assess how things affect your organization, and have the ability to act (create change). You are in a constant state of assessment. But can you assess a situation without some form of quantitative analysis.

I can hear everyone screaming – well Jodi, just count the number of people in the audience and you will know how you are doing, but I just don’t think that is actual analysis of whether or not we are fulfilling our mission. Seating capacity has its place, but it comes in later.

So how would you do an auditable analysis of the Playhouse’s attempts to fulfill its mission? What data do we need to tell our story? And how do we get it? How do we add evaluation to the planning of programs?

You can evaluate the process or you can evaluate the impact.

So how do you audit the results?

First and foremost, we can measure outcomes through the audience’s future participation in more Playhouse events. The number of events an individual attends reflects a deeper experience and more engagement. If an individual participates in play club, talk-backs it reflects a deeper experience and more engagement. If they bring their children to the playhouse for education programs it reflects a deeper experience and more engagement. If they donate money or time to the theatre they are having a deeper experience and are more engaged. And yes, if they are deeper engaged they will bring friends of like minds and seating capacity will increase.

Next, we can measure if we are adding to the theatrical canon by the on-going life of plays and musicals we develop and premiere.

We can watch the progress of our education programs participants. We can see if they apply the skills learned in theatre programs to other areas of learning and life.

But if we just count seating capacity without the assessment of audience experience and engagement aren’t we are measuring the effectiveness of marketing and public relations not the effect of the programming.

So, how do you evaluate in the impact. We need to identify what we need to learn about results to assess impact. We need to know the intended impact and search for the unintended impact. We have to talk with people before and after they attend performances or education programs. We have to discipline ourselves to track audience and participants for several years.

In practical terms to plan for such assessment, our staff (the entire staff from interns to, well, the Artistic Director and I) need to know WHY we are producing a particular play or why we are offering a particular education program. The staff needs to decide what we want the experience to be for each “client” from first contact to follow-up contact. The entire staff needs to participate fully in all aspects of programming and be able to talk about the programming if intimate detail and with great knowledge. If the entire staff is not fully versed in the programming – the audience never will be.

So with our crazy busy schedules what should we do? It is pretty obvious. The staff should talk about what we do with each other. We should talk about the community we live in on the local, national, and global level. If we have to schedule these discussions until we learn to do it organically we better start scheduling!

What’s Next

So, back at work, Monday morning.  How do I keep the inspiration alive?  


First how it ended…well, I can’t really describe it.

Friday night we stayed up until the wee hours, laughing, enjoying new friendships.  

Saturday, I can’t really describe those of you who were there for the last minutes with Dutch, know how emotional and inspirational it was.

The challenge is to keep that spirit intact, to remain centered, and to keep the friendships alive.  It will take one step at a time and a belief deep in my soul that I can make an impact and so can the Playhouse.  

Build a road to the sun….

Home Sweet Home

July 19, 2008 • No Comments

So, I am back home, already have been to the theatre.  I feel tremendously inspired after having one of the best weeks of my life.  Of course the information was not new.  But when you live it every day, it is nice to step away and look at it from a different angle.  


I will capture my thoughts on the last day of the conference.  But first I am going to spend a little time with Brian and the crew (Sookie, Tipper, Roo, Emmie, Socks and Shea).

From Money Magazine: Fun Facts about Westport

July 18, 2008 • No Comments

Thoughts – this morning’s 7:30am group

For all nonprofit programming, a balance portfolio is necessity. Safe bets mixed with risk taking.

If your day is 100 percent efficient you’ve failed. Self imposed lobotomy.

Brain-spasms can be answered in a flexible culture. .

Efficiency in the extreme stifles agility to react and learn.

Organization can locked in by its own set of rules.

I don’t know is a great answer!

Inspiration

In July 2008 I particpated in the Harvard Business School’s Social Enterprises Executive Education program Strategic Perspectives for Nonprofit Managers (SPNM). It was one of the best and most transforming weeks of my life.

Here are all of the links and topics for posts from SPNM:
Overview
Inspiration
Capacity
Leadership
Scale
Strategic Service Vision
Mission and Strategic Triangle – Legitamacy & Support / Organization / Mission
Value Chain
Market Research
Measuring Impact


So, I sent the blog to Eric, our marketing director, a few days ago. And the good news is that he didn’t hate it.

So that button in the top right hand corner of the Playhouse website will no longer haunt me. The good news is that he will be double checking my spelling and grammar, when he pulls excerpts out for the official website.

On a more important note, I mentioned that we were doing peer consultations yesterday and I went first. I will write more about that later. But I want to talk about the WONDERFUL woman who I met this week.

Her name is Jenny. She and her husband have founded an literacy program in India on the the border of Nepal (Rupaidiha). An area so forgotten – here is modern form of measurement if there ever was one – when you google the name, the search results are filled with links to Jenny’s organization and not much else.

In 22 years they have grown the program into a school, aid agency, and safe place for girls and women. Additionally, they have programs for women. I can’t even began to describe the work that they are doing.

She is so inspiring that our entire living group wants to go to India to help her. We are actually planning ways to help her from our respective geographic locations and individual disciplines. I don’t think I have ever met anyone who inspired me as much as Jenny has.

Speaking with her the last week about the horrible conditions in which she teaches, saves children from being SOLD, and empowers women, has reminded me of the power of words, reading, and self-expression. She is the living definition of a mission. She has also reminded me of the real reason theatre is vital to life – everyone needs a voice and sometimes when you give someone a voice, they can change the world.

http://www.girlshome.rajministries.org/