Orientation

July 13, 2008 • One Comment

In July 2008 I particpated in the Harvard Business School’s Social Enterprises Executive Education program Strategic Perspectives for Nonprofit Managers (SPNM). It was one of the best and most transforming weeks of my life.

Here are all of the links and topics for posts from SPNM:
Overview
Inspiration
Capacity
Leadership
Scale
Strategic Service Vision
Mission and Strategic Triangle – Legitamacy & Support / Organization / Mission
Value Chain
Market Research
Measuring Impact


Greetings from Harvard Business School…

So this week I get to think about the big picture. I should say I get to focus on the big picture. I will share with you that the Playhouse staff actually spends a lot of time on the big picture. A time of transition forces you to.

After a fun 3 hour drive during which I could not figure out how to make my IPOD work in the rental car (it just kept repeating a podcast that I had already listened to) and 3 separate times I missed 3 separate turns, I finally made it to MacArthur Hall. The executive education center is not your normal dorm. I have my own private room with a bathroom (bigger than my first NYC apartment). There are 8 rooms per Living Group. Each Living Group has a central room that has a kitchen, conference room and sitting area.

After checking in and unpacking, I headed down to registration. Met a nice guy from my Living Group who works for Habitat for Humanity in Tennessee. It made me start to wonder how many arts folks would be here.

After a quick nosh, it was off to orientation and our first class. (Things move fast at Harvard!)

At orientation we learned a bit about the 144 participants. 12 countries are represented. Average age is 48. The organizations represented cover a wide range of nonprofits (including 10 that fall in the arts, culture, and humanities). The seminar is Strategic Perspectives in Non-Profit Management and is part of Harvard Social Enterprises Iniative.

Fun tidbit…they did this little bit about interesting facts about some of the people who attended and the first one was that one of the participants was the general manager of several critically acclaimed off-broadway shows (ME). Fun tidbit number 2…they actually turned people away from the program. Filling out the application didn’t automatically get you in. This made me feel pretty good about myself – espiecally since I am here on a full scholarship.

After orientation it was straight into the first class…Oriented Managment for Nonprofits.

The professor started off by asking a few participants what their organizations do. Interestly enough most people described their organizations by the outcomes of their work i.e. we teach people skills they need to get a job and be productive members of society. This lead to a long discussion about measurable claims and aspirational claims. And how we have to be careful not to limit ourselves by measurability. It is necessary to have asipirational claims – they build hope, inspire people, make something important. Aspirational claims are a map that guide you to your destination (what you want the world to look like).

At this point I start jotting down notes and questions to myself about the Playhouse.

We aspire to be a nationally recognized theatre (everyone in the staff and board agrees on that). Is that enough? Should we also aspire to live in a world where theatre is a prominant and relevant art form and a primary form of social media (as it was with the Greeks and Elizabethans)? Should we also aspire to live in a world where people explore an idea or experience a “life moment” through a play or musical as often as they watch TV, go to the movies, or socialize on the internet. How does or can theatre make the world a better place to live?

Back to class…and the discussion about measurable and aspirational claims…

inputs –> activitites –> outputs –> outcomes –> impacts

As you go from imputs to impacts, you move from the center of the organization, down in measurability, up in abstraction, and down in attributability.

What are we trying to do?

The most common form of human stupidity is forgetting what we were trying to do – Nietzsche

Of course the answer to this is the guiding point for the organization but the day-to-day can make us lose sight of it.

More notes to self about the Playhouse…

Is what we are trying to do – create that magical moment when the audience connects with the work and literally feels it in their gut? Is what we are trying to do – to examine a relevant issue? Is what we are trying to do – to give someone a voice, to create a dialogue?

Why are we here? And, more importantly, why theatre?

Is it about the activity of producing theatre…or is it about the power of theatre…or both…or neither?

What is the statement that guide us?

Is it – something about a community gathering to explore relevant ideas (what does that even mean???). How do we create an impact? Or worse do we create an impact?

I drive some of the people on my staff crazy about guiding principle and my Southwest Airline stories. It is really simple for Southwest employees to know what do to do – the goal is to be the lowest cost airline, make it cheaper to fly than drive. Every corporate decision is guided by this. Should we serve danishes or pancakes on a morning flight – doesn’t matter, don’t do either because it doesn’t help the over all goal of being the lowest cost airline. I will leave you to go read all the wonderful research about how successful they are – seriously it is a really good stuff.

But back to class – we drilled down to QUESTION ZERO – what exactly are we trying to accomplish?

Corresponding questions…How do we know if activities are producing an effect? What is the effect of what we do?

This lead to a discussion about our day-to-day work and how as Leaders we are pulled in a million directions and everyone has an idea for us,a problem that needs to be solved or a favor that is needed. And frankly we spend too much time on things that aren’t related to our “clients.” There was a entire upstream and downstream discussion I won’t bore you with, but basically the point was we only have so much capacity and so much support and the mission should guide us to focus on the things that align with all three.

For every thing we do we should ask do we have the capacity to do it (or can we get it), do we have support for it, and is this part of our mission, does it create value for our organization. The organization should focus on the area where all three intercept. (I will add a little picture when I get home!).

Interesting challenge from the professor. Should we as leaders spend the majority of our time on items that we have capacity and support for that are completely in line with our values and mission? Trick question…the answer is NO – our staff should spend their time on it. We as leaders should spend our time on the innovations that meet our values and mission. Our job is to move support and capacity to make those innovations happen! Now in the day to day hoopla and distractions – “how do you keep an eye” on that is the challenge but also the necessity.

And then class was over and on to dinner.

Oh – on the way to dinner – I thought of an interesting answer to all my questions about the Playhouse. We use theatre to bring people together to foster an experience or discussion around a relevant issue.

It’s a start.

Before I go read three case studies (all of which are really long), just a note about dinner. Fascinating discussion about American politics and the presidential election with a group consisting someone from Nigeria, Australia, New Zealand, Indiana, Detroit, and Philadelphia. Talk about perspective. And I found another arts person…from Australia! She is a lovely woman from Melbourne who runs a multi-disciplinary arts access program.

Going back to school is GREAT. Of course I might change my tune tomorrow when the first seminar starts at 7:30am!

Back to school!

I am off in a few minutes for an Executive education seminar at Harvard. I have spent the last week complaining about how much reading there is to do to prepare and how a week out of the office will create so many issues when I get back, but I have to be honest, I love these kind of things. It is a great opportunity to free your mind from the office day to day activities and THINK.


The Playhouse has so many challenges as it grows from a summer theatre to a year-round theatre. We have so many opportunities. We have a one-of-a-kind legendary history. But most importantly my staff, the board and I are committed to leaping forward into our future.


I have no doubt we are poised to create a new kind of theatre for future generations. One that addresses relevant issues for our local, national, and global community. One that has a distinct voice. One that explores the form of theatre and contributes great theatrical canon.

Another opening another show

Last night was opening night. The show went well.

However, I can’t help but wish our schedule allowed or more previews for the cast. It seems so unfair to give the actors 2-4 performances with an audience before opening. We allow them 3-4 weeks for rehearsals. I wish I had more time to give them with the audience. It simply takes more than our limited time for things to settle, for the actors to know what works.
Perhaps I feel so strongly about this because I spent 10 years in New York theatre. When I first started previews were 1 week long for a 4 week run. Now the same theaters do 3 weeks of previews for an 8 week run. Perhaps I feel so strongly about it because I am married to an actor. I know and understand the process intimately.

Traditionally regional theatre has had shorter preview periods and shorter runs. But is that really fair to the production and all the wonderful people who work on it? Of course the reason we open earlier is to get the word about the show out so we can get the audience in. It is really a chicken and egg kind of problem.

This issue is one of the many “traditional rules” by which we produce theatre. If the goal is to produce the best production we are capable of producing – well then frankly most of these rules should be thrown out.

Why is it so much easier to do the wrong thing that everyone has been doing for years, versus striking out on the correct path?

Interns and Apprentice Blogs

July 11, 2008 • No Comments

Our Interns and Apprentices are blogging…




http://wcpapprentices.uber.com/blog/




Number One Posting

Several months ago the Playhouse’s new website had its official debut. Each time I visited, I was haunted by the link in the upper right hand corner of the screen labeled “Playhouse Blog.” I tried several drafts for an initial entry. Only one that I had the confidence to share with our marketing director (it was all about all the wonderful teacher I had that helped me discover a career in theatre).


Today, I decided to try a different approach. I thought I would just start writing.

We completed an annual ritual today at the Playhouse…the mailing of the gala invitations. This is a complicated multi-day process that I could go on and on about and bore you to tears. But what is important for you to understand is that it takes every single staff member, intern and apprentice to make this happen.

But sitting at my house at midnight, I am in awe of the wonderful staff of the Playhouse. Very few people have the opportunity to get to know our staff and interns – which is a shame. I, however, am fortunate enough to spend long, seemingly-endless days with group of dedicated and talented people.

It only seems appropriate that the first posting should simply be a THANK YOU to the people who really make the Playhouse come to life.

So from my couch I raise my glass to you (yes it is really a diet coke bottle as though who know me assumed)…

Kim F., Tim O., Ruth, Ammie, Bruce, Buist, John, Joe, Rich, Barb, Beth, Pat, Marcia, Debra, Gabe, Deirdre, Kimmie M, Laura F., Laura S., Jeanne, James, Tess, Tim B., and both Jenn Bs.

And to our wonderful interns and our amazing apprentices…

Sara E, Laura J., Holly, Rachel, Josh, Helen, Megan, Julie, Mike, Brian, Ashley, Kim, Chris, Kate, Kristin, Amy, Sara L., Sam, Peter, Whitney, Julia, Emma, and Rasheem.

I guess I am making the commitment to you to let you in on what it is like off-stage at the Playhouse. I will do my best to write regular postings. Until next time…